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Clytie Hine, later Mundy (8 May 188727 June 1983) was an Australian-born operatic soprano who became a renowned voice teacher in New York. Clytie May Hine was an only child, born in Adelaide, South Australia in 1887. At age 16, having studied piano privately since age 7, she commenced studies with (Bryceson Treharne ) at the Elder Conservatorium, University of Adelaide. Her voice studies were under (Frederick Bevan ). She graduated in 1908 and the following year travelled to London to study under Medora Henson at the Royal College of Music. On the strength of her performance in Schumann's ''Genoveva'' at the RCM,〔 she made her professional debut as Freia in Wagner's ''Das Rheingold'' at Covent Garden in 1911, with the Denhof Opera Company. She later sang with the Beecham Opera Company in roles such as Nedda, Santuzza, Musetta, Elsa, Desdemona, Sophie, and the Countess in ''The Marriage of Figaro''. In 1915 she was the soprano soloist in Sir Edward Elgar's incidental music for the first production of Algernon Blackwood's ''The Starlight Express''. During the development of the production, she and the other soloists were regular visitors at Elgar's home.〔Margaret Leask. (Lena Ashwell: Actress, Patriot, Pioneer ). Retrieved 27 June 2014〕 In 1914 she married John Mundy (1886 – 29 May 1971),〔(Opera: Obituary ). Retrieved 27 June 2014〕 a free-lance cellist who worked with the London Symphony Orchestra, Albert Hall Orchestra, Beecham Opera Company and elsewhere.〔 They had two children in London: a daughter, Margaret "Meg" Mundy (born 1915), later an actress and singer, and a son, (John Hine Mundy ) (1917–2004), later a renowned medievalist and Professor Emeritus of History at Columbia University.〔(Perspectives on History: John Hine Mundy (1917–2004) ). Retrieved 27 June 2014〕 In 1921 they left for the United States with their children, settling in New York, and becoming well known for their joint recitals featuring early English music. She also sang in opera in America and beyond while contracted to (William Wade Hinshaw ),〔(Chapter 2: The Williamsons (Clytie May Hine) ). Retrieved 27 June 2014〕 and her husband became principal cellist〔(Letters from a Life Volume 3 (1946–1951): The Selected Letters of Benjamin Britten: Letter 589, Note 10 ). Retrieved 27 June 2014〕 and orchestra manager for the Metropolitan Opera. He also collaborated with Edward Eager on composing a musical comedy, ''The Burglar's Opera'', which was also staged under other titles, such as ''The Liar'', ''The Burglar'', ''The Rascal'' and ''The Gay Rascal''.〔(New York Public Library, Archives and Manuscripts: John Mundy papers 1905–1965 ). Retrieved 27 June 2014〕 Clytie Mundy retired from performing in the late 1920s, and became a renowned singing teacher. She maintained a private class of twenty-five vocal students, a choral class of about twenty, two vocal quartet parties, and a women's trio.〔 Her notable students included Marge Champion (who was sent to her on Richard Rodgers' recommendation),〔David Payne-Carter. (Gower Champion: Dance and American Musical Theatre, p. 25 ). Retrieved 27 June 2014〕〔John Anthony Gilvey. (Before the Parade Passes By: Gower Champion and the Glorious American Musical ). Retrieved 27 June 2014〕 Alfred Drake,〔Gerald Martin Bordman. (American Musical Theatre: A Chronicle ). Retrieved 27 June 2014〕 Nanette Fabray, Kathleen Ferrier, Celeste Holm, Peter Pears and David Wayne.〔 Peter Pears had been studying singing under Therese Behr (the wife of pianist Artur Schnabel),〔Laura Williams Macy, ed. (The Grove Book of Opera Singers: Peter Pears ). Retrieved 27 June 2014〕 but transferred to Mundy in 1940. He had almost daily lessons with her, and his partner Benjamin Britten would often also attend, as accompanist.〔Christopher Landon Swanson. (Florida State University: The Voice of the New Renaissance: The Premiere Performances of Peter Pears ). Retrieved 27 June 2014〕 Pears found her "a wonderful woman to work with, very sympathetic and forthright". She became lifelong friends with Pears and Britten. To help secure an American premiere of Britten's opera ''Peter Grimes'' in 1946, she hosted three private performances of excerpts at her apartment for Serge Koussevitzky (who had commissioned the opera), Leonard Bernstein, Ralph Hawkes and others.〔Paul Kildea, ''Benjamin Britten: A Life in the Twentieth Century'', p. 268〕 Pears returned to her for some more lessons in 1948. Britten dedicated his setting of the song "Down by the Salley Gardens" to Clytie Mundy,〔(Hyperion Records: "O Waly, Waly" ). Retrieved 27 June 2014〕 and his setting of the Scottish lullaby "O can ye sew cushions?" to her daughter Meg.〔(Naxos ); retrieved 27 June 2014〕〔John Bridcut. (Essential Britten: A Pocket Guide for the Britten Centenary ). Retrieved 27 June 2014〕 They also named their pet miniature dachsund "Clytie" after her.〔〔Paul Kildea, ''Benjamin Britten: A Life in the Twentieth Century'', p. 409〕 She taught at the Academy of Vocal Arts in Philadelphia, and was musical adviser to the American Theatre Wing. Actors such as Kirk Douglas and John Forsythe studied speech with her. She retired in the late 1950s; in 1970 the Royal College of Music established an annual scholarship in her name, (The Clytie Hine Mundy Recital Prize ), which was discontinued after her death.〔 Her husband John Mundy died in 1971. She died on 27 June 1983 in New York, aged 96, survived by her two children and three grandchildren.〔 ==Sources== * Hancock, Wayne. (Australian Dictionary of Biography: Clytie May Hine ); retrieved 27 June 2014 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Clytie Hine」の詳細全文を読む スポンサード リンク
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